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宋珮老師-一畫一世界(3)

6/15/2025

 
As always, Dr. Sung gracefully began our class with a gentle review and thoughtful enrichment of our previous topic, “the Book of Hours,” beautifully crafted prayer books created for distinguished patrons, often someone of notable prestige. She guided us through the evolution of book styles, tracing the journey from ancient scrolls to the more refined codex, and highlighting the delicate materials—parchment, papyrus, and even wood—that artisans once used.


The Book of Hours, as we explored, was more than just a manuscript for prayer during the Middle Ages; it was a cherished companion, deeply intertwined with the rhythms of Christian devotion and everyday life. The world of manuscripts is vast. Beyond prayer, these handwritten treasures could be devoted to music, history, or even the mysteries of astronomy, each one reflecting the thoughtful spirit and creative energy of its time.


Before delving into the layers of our discussions today, we were invited to pause and reflect once more on the Artful Thinking Palette and the accompanied thinking routines. 
http://pzartfulthinking.org/?page_id=2
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Dr. Sung, with her usual warmth and clarity, explained that our tasks today would be to explore the stroies woven into the painting, using the three strategies as our guide. 



The guiding questions were:
(1) What do you see? 
(2) What happened in the picture? 
(3) Where did it happen? (Was it in the real world or imaginative world?)
      When did it happen? (Dawn or Dusk?)
      What led you to that insight?


With every turn of our classmates’ thoughtful elaboration, I find myself appreciating not just the knowledge shared but the nurturing atomosphere that encourages us to reflect and connect with the artwork in a meaningful and heartfelt way.

Stories in the Painting

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As we traced through the intricate details of this painting, narratives about the main characters in the foreground - their status, and surrounding environment began to unfold. ​


  • Nicolas Rolin
The man holding that prayer book was the renownd Chancellor of Burgundy - Nicolas Rolin (1376-1462). The landscape in the background off his side clikely depicts his homeland and the church of his birth, Notre-Dame du Chatel Catheral in Autun. Nicolas, as a Chancellor to several Dukes of Burgundy, played a pivotal role in expanding the duchy’s wealth and military power.  His skillful administration and political acumen helped elevate Burgundy to one of the most prosperous and regions of the time. He was not born into nobility and his skillful handling of political situations earned him both priases and criticism. He started wars and built churches and hospitals. We could find him and his wife being portrayed in the altarpiece located in “Hotel of God,”  the hospital he founded.  


  • Mary and the Infant Jesus
The lady awaiting her crowning by the angel with the peacock-like is likely Lady Mary. Her exquisitely jeweled mantle bears the inscription along its edge:  “O exalted cedar of Lebanon, please pray for us.” The Cedar of Lebanon is often used as a symbolic reference to Lady Mary, which leads us to speculate that the baby holding the crystal ball is the infant Jesus sitting on the throne of wisdom. In the back ground, the town flourishes with bustling crowds and grand churches adn cathedrals. While Mary and the Infant Jesus exist in an imaginative, sacred realm, the prosperous townscape offers a glimpse of Heaven itself.
 
  • Symbolism
The rich details in this painting invites us to ponder the complex relationship between purity and sin, the heavenly grace and earthy medieval men. The floor tiles cut the painting into two sides, one with the Chancellor and the other with Lady Mary. On the side of Rolin, the wall relief vividly brings to life the seven deadly sins: pride, greed, wrath,  lust, envy, gluttony, and sloth.


The garment’s hues of the four characters shifts gracefully between the earthy blue and heavenly red, symbolizing the contrast between the mortal and the divine.  


  • Name of the Painting
Madonna of Chancellor Rolin (1435)  by Jan van Eyck


宋珮老師:一畫一世界(2)

5/30/2025

 
After our delightful artisit journey from last session, Dr. Sung began today’s class with another enriching exploration about Egyptian art. She warmly revisited our discusssion about the beautifully balanced masterpiece, The Hunting of Nebamun. Dr. Sung suggested that the symmetry in this painting might actually reflect how the Egyptians thought about life and death, or day and night—as two sides always striving to remain in harmony. Her thought-provoking insight encourages us to look at any artwork throught a creative and historical lense, learning the people of that specific period of time.


The ancient egyptians believe that chaos of the nature was inevitable, and that restoring order was essential. Much like a garden without a gardener, left untended, life could easily fall into neglect and disorder. This idea is beautifully refelcted in our painting of focus, which is filled with natural beauty—birds, plants and a sense of movement everywhere. Yet the human figures in the center seem to convey something deeper: that people had an important role in keeping everything connected and in balance. It is a soft and quiet reminder that Harmony requires care and attention, just like the world around us. 


Moving on to our second session, Dr. Sung gracefully wove in insights from Project Zero and Artful Thinking as she introduce of the Book of Hours. Drawing from the artful thinking palette developed by Harvard, we began with delight to observe carefully and reason deeply, searching for clues with our curious mind.  
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http://pzartfulthinking.org/?page_id=2
As we delve deeper into the artwork, more and more details began to unfold through our discussions. Jewelery, plants, colors, lighting and fabric textures all delicately complement one another, creating a harmony whole.  Together, these elements brought the stories of the lady in the foreground and the lady in the background to life, weaving a rich tapestry that invited us to imagine their world and experience - a prayer to Lady Mary and Infant Jesus. The painter skillfully used various details to honor Lady Mary of Burgundy as a pure and holly lady. ​
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The Virgin in a church with Mary of Burgundy at her devotions
Perhaps Mary of Burgundy in this painting was praying for a prosperous future of her Duchy as she prays along with her book of hour.  Or maybe she was expressing the worries that came with her impending marriage, praying for happiness with her soon-to-be husband, Archduke Maximillian I.  Either way, the artwork offers a temder glimpse of her hopes and inner world, connecting with her emotions and personal journey.

宋珮老師:一畫一世界(1)

5/18/2025

 
This is one of the lesson series organized by Cosmic Light, with Dr. Sung Pei. 

Dr. Sung commenced the speech with a brief but thought-provoking introduction of the book “Artful Thinking,” - a pedagogical framework derived from Project Zero at Harvard. These strategies aim to foster reflective, curious, and open-minded thinking through the lens of art. Throughout the entire speech, Dr. Sung skillfully applied this approach by guiding us to explore our own reasoning, consider divergent perspectives, and revisit our ideas from a broader and more inclusive point of view - all by simply observing a single image. 
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https://egypt-museum.com/nebamun-hunting-in-the-marshes/

​In the first task, we were asked to observe and share what we noticed from a small part of a painting called Nebamun. While seemingly straightforward, the task proved unexpectedly demanding to me. Having shaped by the traditional Asian educational paradigm - one that prioritizes accuracy, I felt hesitant to voice my own interpretation. The ingrained fear of error of social embarrasssment loomed large. 

After the discussion, Dr. Sung provided more details about this imagery, starting with the geographical background of the river Nile and where the painting was found. The reiver Nile and the flooded area symbolized life and death for the Egyptians and where the order of life was resotred. The tomb, where the painting was discovered, was naturally located on the west side of the river - the direction of the setting sun, symbolizing the end of life and the beginning of the soul's journey after death. 

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Fragments found
​https://www.wonderfulthingsart.com/post/reconstructing-ancient-egypt-nebamun
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Reconstructed image.
​https://www.youtube.com/watch?v=C2wLnOGuQNI
​As we engaged deeper with the artwork, we noticed how our thoughts sometimes aligned with, and sometimes differed from, the philosophical lens of ancient Egyptian culture. The entire process feels like a dialogue between us and the those ancient fellows dwelling along River Nile. By making the conversation personal, we were brought closer to each other and the exchange of worldviews more intimate. ​

The New York Times: Lesson of the Day

4/10/2025

 
Found great resources for teachers - engage students with nonfiction texts. These ideas work for different levels and ages of children. I have tried some of them, sometimes not so skillful. It takes practice. 

Just to take a note for myself. 
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https://www.nytimes.com/2021/11/08/learning/lesson-plans/18-warm-up-activities-to-engage-students-before-they-read-nonfiction-text.html

小雪:被愛的條件

8/2/2024

 
很令人感動的一本書,覺得可以和班級共讀。

家裡有孩子或是和孩子ㄧ同工作的大人們都應該有這本書,隨時拿起來翻翻,提醒自己,也警惕自己。

小雪,是個高敏,但聰明有主見的孩子。雖然被棄養在育幼院,但有個疼愛他的阿姨。阿姨在餐廳內幫工,是個樸實的女性。在小雪的眼中,她不聰明也行事笨拙,兩人縱然有生活上的摩擦,但她也能容忍與接受。然而小雪的心中其實嚮往著一個幸福的家庭…或許自己的親生爸爸就像巷口總是微笑著、關心、擁抱小雪的醫生以及掛在牆上那張甜蜜的全家福。直到她發現了全家福相片中的現實。

現實重擊了小雪對幸福的想像。 作爲醫生,他可以溫暖包容;但作爲一個父親他卻獨裁、冷漠,和母親ㄧ同在面對升學的壓力時,試圖給予孩子自己認爲正確的幸福,漠視孩子在舞蹈的喜愛與天賦。親子間的衝突讓孩子在學校雖是意見領袖,卻行爲乖張,帶頭罷凌小雪。

這本書從一個中學生的視角出發,引導孩子看見父母親或是直接照護者背後的恐懼,也帶領孩子們去關察屬於愛的行爲。

這個社會裡,小雪是幸運的,因爲這樣生來聰明的人設很討喜,可以靠自己的努力,改變命運。若她沒有那麼聰明, 是不是世界要暗黑到底了?

聽說,那山有仙石:孫悟空前傳

7/15/2024

 
讀書會裡有位明德國小的孩子,說這本書他看了十三遍,我笑了。覺得孩子真是可愛,這樣著迷的程度,真的是活靈活現的呈現了愛不釋手。孩子說,他下課看,找到空擋就看。大概所有的心思都在角色的悲歡離合裡了。

看了前幾頁的人物介紹以及地圖,老實說這些並沒有特別吸引我。等著書一開始,拾參和他夥伴們的語言生動的呈現了北地曠野孩子的生活與氣慨,我開始佩服作者的功力。等到相關人物一個個登場,我開始感受到這個故事在時間軸上鋪陳三位一體的禪學抑或是道學。

最後一章,真的讓我淚流不止。一個十三歲的孩子,竟得領悟這樣的人生道理,做出那樣的選擇,實在令人心碎。父母輩的業,為什麼要孩子來承擔?累世的業又要何時才會停止?什麼是開悟?何時又是個頭?

面對人性之惡,拾參與雅庫最後的一句「生生世世不再為人」,很是令人震撼。這樣對人的鄙視與反叛,讓西遊記裡的老孫,更加迷人了!

Great AI Tools - Monica Burns

7/4/2024

 
Monica Burns in her new episode 10 tools for creating quizzes
(classstechtips.com) curated 10 tools for teachers. Not only in creating quizzes, they could be use in different part of the teaching or prepping process. 

Some AI tools that I have been using heavily with my class are
Edpuzzle: Multiple questions are great to check the students’ understanding of visual input. Videos provide better context with just a few pictures. I also love how it allows open ended questions with written or oral responses. It is even workable for 
middle/lower graders. 

Chatgpt and Claude: It is amazing when I start to test their limits. During the prepping process, I can basically discuss/test different teaching ideas with these two bots. It is efficient in the brainstorming stage and it is powerful to generate ideas. Burns’ suggestions regarding how to more effectively use them with prompts are very useful. I might include information like,
  • Students prior knowledge
  • The ability I am looking to assess
  • Students grade level and specific information about such level
  • Curriculum standard connected to the lesson/assessment⁠
With Claude, I can even upload documents to give it a better understanding of my students or the materials.  


There are some great AI tools that I tend to use less in the class such as 
Kahoot!: it’s very exciting with the competition and multiple choice questions. I found, though, in my class, the students tend to bash in short-term excitement and lose the focus for deep thinking and discussion. Perhaps I need to try a different way to moderate the process. 


Tools that I wish to try in the next semester:
Diffit: Supposedly, it creates supplemental resources for indicated grade levels. I am not sure yet about its data pool. I hope it will also work for our students outside of the US. 
Briskteaching: It is another quizzical generating tool with chord extension. (It feels to me the class time is filled with quizzes for the students…) I have also read other teachers’ positive comments of such tool. When I tested it, it seems more useful for more mature students with complex contents. 
Socrative: Like Mentimeter and Peardeck, their interactive features allow teachers to monitor students’ real time progress. It could work perfectly in a discussion class.
MagicSchool: Like Twee, it’s a  platform containing lots of tools such image/voice generator, speech-to-text, video script… for teachers. They don’t come free. For teachers who mostly create their own teaching contents without textbooks,  it is wonderful and time saving. ​

Black Ants and Buddha - by Mary Cowhey, A Role Model of Love and Passion

6/15/2024

 
This book was first introduced in a class of my Fulbright exchanging period. I was deeply moved by pedagogy introduced in the book and also puzzled by how it could come to life, Inspired by the American “everything is possible” culture, I wrote to the author. Surprisingly, I got invitation to stay for a night with her and observe her class…

​The book starts with an illustration of how discussion was fostered in the classroom- making connections through events that children encounter in the class, taking care of each other’s feeling aligning two simple and concrete classroom rules - be kind and work hard (because we want to flourish as a whole).
  • There are several techniques the teacher demonstrates in this chapter:
    • students are used to taking turns expressing ideas and opinions. Teachers invites students to answer and respond to other people’s ideas. Students to students interaction is present.
    • The teacher strategically use two read-aloud sessions to cultivate the students language development. 1) Readers for strategies such as make connections (text-to-self, text-to-text, text-to-world), 2) Philosophical discussions to foster listening skills and oral language development.
  • It is true that our books or curriculum most of the time depict a world of happiness but the truth is, as mentioned in the chapter, “Human nature draws us to conflict.” It is inevitable that we encounter differences, disagreements, and conflicts. How to cretically and wisely is never really taught in my brining up. They were preached but not experienced.
  • My mind pondered over a few quotes in this chapter:
    • As a teacher of critical thinkers, part of my job is to deliberately nurture sustained interest in questions over time. - It indeed takes time to dig deeper and to care better. In a fast-paced, media-fed world it is even more critical to allow that time for our children.
    • Teacher critically listens and affirms a minority voice that challenges the status quo. Instead of forcing assimilation and acceptance of the dominant culture, it examines cultural assumptions and values and considers their larger ramifications. - Isn’t that what our curriculums states about critical thinking? Isn’t it ironic how our teaching time is fragmented and shattered in the curriculum guidelines?
This is my second read. - the same passion, but more intense. The question is am I ready?

AI 底層邏輯與生存法則:Anxiety Out

6/1/2024

 
資深AI 應用人程世嘉以麻瓜也可以懂的語言爲一般民眾提供了許多破解AI的迷思與實際的應對策略。這兩個月他也頻繁的進行宣傳,跟幾位知名的主持人進行了很精彩的對談。(有這些不同領域的對談真的很拓展思維)


書裡面兩個我認為最關鍵的核心思想是:
  • 批判思考能力在這樣的環境中,是必備的能力-在大量算力的支持下,AI 比人腦有著更大的資訊量也有更快速處理的能力,前提是,使用的人能夠不斷的改良給出提問指令,找到通往答案的路徑,並在千萬條路徑中找到最適合的一個選擇。所以基本知識很重要,能分辨利害也很重要。不是AI來了學生ㄧ切放空,而是利用AI奠定更厚實的基本能力。
    • 描述能力
    • 企圖心- 人文科學的專業我對人類可以貢獻出什麼?
    • 程式語言像英語,可以會,但不需要很強
  • AI 對於下一個世代絕對是另一場工業革命 - 就如書中所舉工業革命的例子,在未進入工業化之時,人類可能會害怕被完全取代,然而實際的情形確是人類學會或進化成更善於運用工具,部分的勞務轉化為更新穎的作業模式,效能產能提升。我超喜歡書裡不斷提到AI在未來會像是水電一般的存在,他就是在那兒,你不會用它真的會像是原始人。陳鳳馨提到的例子就超貼切:就比如現在有個電鑽和螺絲起子,兩者都可以用啊,但是要快又有效率,當然你會選電鑽。


這些思維是對未知恐懼的解放,對於進入未來有個堅實的立足點。 感覺振奮人心 !


References:
  • Podcast - 馨天地20240517
[[https://podcasts.apple.com/tw/podcast/%E9%A6%A8%E5%A4%A9%E5%9C%B0/id1555650963?i=1000655885571
  • Podcast - 總編會客室 20240506
https://podcasts.apple.com/tw/podcast/%E7%B6%93%E7%90%86%E4%BA%BA/id1591157883?i=1000654636617





Hidden Figures

12/10/2023

 
Starting from week 9, we introduced space competition to the third graders, echoing our moon festival and also the launching of the Artemis Program. My partner continued with festivals around the globe, and I stuck with space competition and someone delved into social and gender injustice.


Conclusion first: this unit continued for almost an entire semester because I only have one session with the children. For the third graders, some aspects of social segregation and gender discrimination are very difficult and abstract due to their insufficiency of world knowledge. So I came to a debate of how to really introduce cultures to them: should I go for the broader topics or stick with one but go deep. Am still trying.


Week 9-13, 5 periods, 200 minutes, we watched parts of the movie Hidden Figures. We talked about how black people and women were treated in NASA back in the 1960s. With some explanation of historical background, I would say visual images are perfect to portrait that injustice. Kids could tell from the facial expressions, words and actions of the characters. They nailed it with a lot of why questions.
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Week 15 and 16, I continued the time line to the Artemis program. There is obviously a progress of inclusion, when we see the gender ration, Victor Clover and Johnny Kim. I hope they can see that the change will happen in progress if people try. Still working on it.


Week 17, I am hoping to introduce some other injustice in the world and then circle back to the idea that change will happen when we try.
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    Winnie Chiu

    An enthusiastic ELT/CLIL teacher,  passionate educator, researcher, teacher trainer, Apple Teacher. Seesaw ambassador and curriculum developer. 

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